Thoughts On 1000 Beers
Reviews of movies, music, books and more by David Goody.
Imagine sitting down in a stylish restaurant with an erudite friend to a nice meal. Before the menus have arrived they try to make some grand point about the world. Then before you've ordered something you said leads them to make the same point in a different way. Then as the starters arrive it sparks something that leads to another mini-lecture on the same subject. That is basically how The Dark Knight feels.
Iron Man is exceptionally silly film. In many ways this shouldn't be an issue as there have been action films that have done things as scarcely believable as knocking up a robot suit that allows you to fly around the world and pretty much into space. Oh, and you can knock up a working prototype in a cave from spare parts.
Australia comfortably fits into the tradition of epic films such as Titanic, Pearl Harbour and Gone With The Wind. However whereas these three films concentrated on a single subject - the sinking of the Titanic, the Japanese attack and the American Civil War - Australia attempts seems intent on covering as much Australia history as physically possible.
It's quite a feat for the alarm bells to start ringing about a film before you've got past the BBFC certificate, but staring at a title as lousy as Quantum Of Solace in plain text on a big screen makes you think that it that's the best they could do with Bond then maybe they should hand the reins over to someone else. The ringing gets louder when you realise that this is the first Bond film that acts as a direct sequel to the previous film. Clearly since the Daniel Craig bond has borrowed so much from Jason Bourne it may as well borrow the idea of a continuing narrative. However this requires a memorable plot and the memorable bits of Casino Royale (poker scene, collapsing venetian towers, running along cranes, muscles and swimming trunks) had as much to do with the plot as the popcorn you bought in the foyer.
With Peter Jackson's empire now seeming to employ most of New Zealand either directly or through the WETA workshops special effects labs, it was only a matter of time before someone made a decent fist of making a worthy successor to bad taste.
There is a lot of presentation going on in this solo show by Irish balladeer Duke Special at Birmingham's Glee Club. As the lights going down a jumpy and scratchy piece of 1930's film plays (coming from a state of the art video projector). Mr Special (lets face it calling him Duke sounds just as pompus) walks out in a battered bohemian style suit nervously eyeing the audience through a ton of mascara. He winds up an old record player and drops the needle on a crackly backing track (played from a dat?) and wanders over to his battered piano (actually a keyboard in a wooden frame).
Set in decades into a post apocolyptic world where the surviving cities have been turned into mini Death Stars that stalk the scorched surface of the earth, Predators Gold is the second in Philip Reeve's Mortal Engines series. A ripping action yarn it follows young outcasts Hester Shaw and Tom Natsworthy as they flee from London and end up heading into the icy wastes of America.
Any book that deals with mortality, poetry, the blues, parenthood and the war on terror should know that if it's doing it's job properly it doesn't need to jump around for the readers attention. For the most part this tale of day in the life aging neurologist Henry Perowne does this, treating the big subjects with a subtle touch and a narrative of ambling pace that allows you to smell the flowers and inhabit Perowne's body.